Dripping with commercial appeal and name brand recognition, The Lego Movie could have easily joined the ranks of previous toy-turned-tale blockbusters. With the likes of Transformers and Battleship, studios have established a shady history of leaning on bankable properties to churn out flimsy showcases that add up to little more than an audio assault and visual fireworks, a cheap attempt to capitalize on audience familiarity and earn a quick buck. While those movies sifted our childlike glee through a filter of blue-toned, sensory bombardment, attempting to twist our arms in hopes of nostalgic forgiveness and financial reward, The Lego Movie goes the completely opposite route and awards those hankering to see their favorite childhood toys onscreen with a gleefully told story of epic Lego magnitude. Irreverent and hyper-self-aware, this adaptation takes everything we loved about the buildable blocks and seamlessly weaves it into a startlingly awesome and fully engaging narrative about creativity, imagination and encouragement, resulting in the best animated movie since 2010’s Toy Story 3.
At the center of the Legoverse, lovable goof Chris Pratt voices Emett, a run-of-the-mill construction worker figure who tries his darnedest to assimilate with the uber-chipper Lego society marching in perfect formation around him. In Emett’s city, uniformity is the bee’s knees. Everyone loves the same song (“Everything is Awesome”), watches the same TV show (“Where Are My Pants?”) and has the same water cooler conversations day in and day out. It’s a society structured around structure, a sociopolitical climate that’s laid out with instruction booklets (*wink*) and enforced with hive mind mentality.
No matter how hard Emett tries to fit in, he’s just so extraordinarily ordinary that people hardly remember his face (well that may be the result of everyone’s face being composed of same shade of iconic yellow, plastered with a smile and bulbous black eyes.) So when Emett stumbles upon a coveted brick and is mistakenly identified as “The Special”, he goes along with it. He allows new ally Wyldstyle (Elizabeth Banks) to believe that he’s a world class master builder because it’s the first time anyone has ever recognized potential in him.
Behind the scenes, President Business (a perfectly wacky Will Ferrell) secretly runs the show, cunningly steering the fate of the city’s inhabitants, hell bent on a maniacal scheme to unleash the ghastly Kragle, a weapon so devastating that it will forever glue the world into its proper place With Bad Cop (Liam Neeson) at his every beck and call, Business is out to destroy creativity as well as Emmet, the supposed harbinger of prophecy, and his fellowship of master builders.
Backed by enough voice cameos to keep you wracking your brain and a solid heap of characters pulled in from nearly every imaginable franchise, Lego is overflowing with talent. You’ll find the likes of It’s Always Sunny in Philadelphia‘s Charlie Day as an 80’s astronaut, Arrested Development‘s Will Arnett as Batman, Will Forte, Jonah Hill, Nick Offerman, Cobie Smulders, Channing Tatum, Jake Johnson and even Morgan Freeman‘s sultry tenor all giving rock solid voice performances that aid the laughing stock The Lego Movie becomes.
With Phil Lord and Christopher Miller, the creative minds behind the first Cloudy With a Chance of Meatballs and the recently rebooted and well-received 21 Jump Street, at the helm, the project has just as much focus placed on the comedy as the storyline and stylish animation. Accordingly, the jokes fly a mile a minute. But beneath it all is a genuine heartbeat. Emett’s journey is a common hero’s quest but his goofy antics and self-sacrificing ways provide an emotional basis for our ongoing investment in his arc.
Driving home a message that everyone’s special may be a little pear-shaped in the age of the Great Recession but there’s something intentionally ironic behind all the hackneyed encouragement. Maybe The Lego Movie would like to tell us we’re all special but that’s a message that only lingers on the surface. Beneath that, Lord and Miller reach out and say “We know that’s not true, but that’s still cool.”
The film is loaded with irreverent, double entendre moments like this, a self-aware meta angle that makes the experience just as much rewarding for adults as it is for kids. The screenwriting duo even take potshots at the lesser regarded Lego properties to great comic effect. Rarely taking a break from tongue-in-cheek mockery of Business, who for all intents is a place holding satire of the very company footing the bill for this movie, their voice is strangely misaligned with the lousy money-grubbing staples of the industry. They preach thinking outside the box while the inevitable accompanying merchandise will deal in exactly this kind of box-set salesmanship. Just eat up that irony.
Going back to the kids, those sugar-stuffed Ritalinites are sure to just eat this up as the partially CGI, partially stop-motion visual style is mind-boggling enough to make even a surly old man’s jaw drop much less a wide-eyed youngster. Cross the delectable ratio of genuine belly laughs with the crafty visual palette and Miller and Lord deserve a hearty pat on the back. Congratulations guys, you’ve made the best animated film in years. Matt Oakes saw over 150 movies in theaters and probably drank more than his weight in beer last year. Check out more reviews at his website www.silverscreenriot.com and follow Matt on Facebook and on Twitter.