Furniture store owners will be the first to tell you that Seattleites are a peculiar lot. Our tastes are far from perfect. Quirky, sure, but our taste derives from a confluence of conflicting factors such as empiricism, ecological interest and ultimately, irony.
Plush enthusiasts, indie crafters, designer toy-makers and eccentric hobbyists congregate underneath Kristen Rask’s large umbrella of indie art influence. Within the scope of her influence, designers jockey for a position in her workshops, exhibitions, literature and
To give exceptionally, one must always have their ear to the ground; aware of what’s vogue and representative of the recipient, the receiver and the culture that binds them. It’s a practice in mindfulness.
The Foundry has a Nissan Xterra parked centimeters away from their front door. Neurotically, I picture the rampant fire hazards contingent upon a place known as “The Foundry.”
Commercial and residential developers continue to stake their claim on Seattle. Cranes are everywhere. It’s a rush to impose personal will on a bustling metropolis, to carve out a piece of skyline for pocketbooks and posterity.
Minimalist techno plays at a low level, punctuated intermittently by mechanical moans. Machines bellow their responses to a man in an unbuttoned white lab coat and gauge earrings. Richard, an electrical engineer-in-training at Seattle Community College
Board sports have always played host to avant-garde designers. Since the older design punks bedded with the skateboarding/Thrasher movement in the eighties, design and board sports have forged a symbiotic relationship
An exacting rendition of Western popular culture enjoys recognition for rendering a phenomenon that’s constantly in flux, inert. America’s collective consciousness, in turn, rewards each memetic creator with the temporary sensation of actualization and accomplishment in American zeitgeist.
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