Watch all the action from downtown’s Sky View Observatory.

It’s nearly that much anticipated weekend of summer yet again—Seafair—and we can think of no better place to watch the air show this Saturday and Sunday than from the Sky View Observatory. Located on the 73rd floor of Columbia Center, the nearly 1,000-foot-tall venue (which recently underwent a million dollar makeover), offers the tallest public viewing area in the Pacific Northwest. 

Planning for a full season of music at the zoo and beyond.

Recently there have been plenty of roster unveilings for exciting events ranging from the Seattle International Film Festival (taking place May 18 to June 11, tickets on sale now) to Timber! Outdoor Music Festival (which returns July 12 through 14). Earlier this week, Bumbershoot also revealed its anticipated lineup; 3-day passes go on sale Friday, May 4, at noon.

Seattle employees take their expertise overseas.

WE Communications’ Global Pro Bono experience offers an opportunity of a lifetime. The program means that a couple employees get selected to join employees from other companies (like DOW, PIMCO and SAP) to travel abroad to developing regions, where they help a local nonprofit organization solve a wide-range of organizational problems.

A favorite musician returns to Fremont Abbey this weekend.

Oh happy day(s)! Langhorne Slim has come back our way. Not only is Sean Scolnick one of the most passionate musicians you might ever get the privilege of seeing onstage; he also happens to be one of the kindest souls around. Last week we enjoyed some lovely phone catch-up, and here’s what the easy-going singer-songwriter had to say.

A treasured Washington talents shifts gears to get back on track. 

This past September, local artist Noah Gundersen released his third studio album, a 13-track compilation called “White Noise.” Commenting on this huge departure from some of his earlier work, EARMILK noted that, “Noah Gundersen has traded in his traditional acoustic crooning for something a little louder and edgier.” Entertainment Weekly observed, “Moving away from the confessional, singer-songwriter fare that made up his first two LPs, he began treading in more ambiguous, metaphorical waters.”